Texas Border Business
By Renata Perez
RIO GRANDE VALLEY, TEXAS – A pop-up installation featuring more than 3,200 handwritten toe tags representing immigrants who have lost their lives crossing the Sonoran Desert of Arizona currently is on display at UTRGV.
The global pop-up exhibit, Hostile Terrain 94 is sponsored by the UTRGV College of Liberal Arts and is organized by the Undocumented Migration Project.
The exhibit pays homage to the thousands of people who have died while crossing the U.S.-Mexico border since the mid-1990s as a direct result of the U.S. border enforcement policy known as “Prevention Through Deterrence.”
The exhibit can be seen at the Rusteberg Gallery on the UTRGV Brownsville Campus through Nov.11, and at the University Library on the Edinburg Campus through Nov. 19.
With over 150 pop-up installations being exhibited globally and nationally, the participatory art exhibit involves more than 3,200 toe tags filled out by teams of volunteers, who then place the tags in the exact locations on a wall map where the deceased were found At UTRGV, student and community volunteers spent several days in September personalizing each toe tag during “Tag-Filling Activities” and lunch sponsored by the Center for Latin American Arts and led by Dr. Sarah Rowe, anthropology associate professor at UTRGV and the exhibit coordinator.Jason de Leon, head curator of Hostile Terrain 94, executive director of the Undocumented Migration Project and professor of Anthropology and Chicano and Central American Studies at the University of California Los Angeles, said the exhibit is designed to not only memorialize migrant deaths, but also to make people aware that casualties are more than just numbers.
“I think that people need to be reminded that we’re living in a global migration crisis,” De Leon said. “People often forget that, so the hope is that we can educate them and encourage them to work for more positive social change.”
Hostile Terrain 94 was developed in fall 2018 and took more than a year and a half to reach a place where it could operate smoothly, De Leon said.
One of the largest hardships in finalizing the project, he said, was preparing the logistics and detailed instructions for each installation.
“I would say it’s still an evolving project,” he said. “Every exhibition is different, and we’re constantly working with our collaborators to figure out how to make it relevant to the communities in which they are installing it.”
To complement the exhibit at UTRGV, a juried student art exhibit is also included and features art pieces that honor migrants who have lost their lives while making the journey to the United States.
More than 30 pieces of student art were submitted at UTRGV, and three winners, along with an audience favorite, were awarded prizes during a reception on Nov. 1 at the Rusteberg Art Gallery.
Rowe encourages those interested in learning more about the immigration crisis to visit the exhibit and student art showcase, and to read De Leon’s The Land of Open Grave,which reflects on the impact the “Prevention Through Deterrence” policy has had on immigrants.
“If we really want to raise awareness about the issue,” Rowe said. “We need to push our political representatives to be aware of this policy and try to find alternatives that are a more humane solution.”
For more information about Hostile Terrain 94 at UTRGV, visit https://www.utrgv.edu/hostile-terrain-94/.
